I want people to understand my artwork so that even after I’m gone from this Earth, memories of me will still be around.
- Kwang Young Chun
Landau Contemporary is proud to present a solo online exhibition of works by celebrated South Korean artist Kwang-Young Chun whose
Aggregations have received international recognition. These works seep into the imagination and reinterpret the histories of a cultural ancestry from a modern perspective.
To understand Kwang-Young Chun's legacy and his artwork is also to understand his history. Born in 1944, in Hongchun, South Korea, Chun was just a boy at the end of Japanese colonization and witnessed the brutality and destruction of the Korean War which reached its height between 1950-1953, whose violence impacted the artist's view of the world and of which America emerged as the embodiment of strength and integrity.
After he completed his bachelor's degree at Hong-IK University, Chun moved to the United States, the land of peace and prosperity, to pursue a Master’s Degree at the Philadelphia College of Art. As he puts it, his twenties "were all about America. The thin young man from a distant country was suddenly a social, ideological alien in a new world."
In Philadelphia, Chun found unique freedom in western education but was disillusioned by a consumerist culture seemingly immune to the carnage of the Vietnam War and the economic divide that followed. He understood the emerging and prevailing artistic practices of the day, but was instantly attracted to Abstract Expressionism which, "seemed to be the best way to freely express my surprise and sadness at witnessing the huge gap between idea and reality."
Abstract Expressionism further allowed Chun to experiment at will and express the "chaos and struggles of the world I lived in" without the restrictive expectations of Korean teachers whose focus was on maintaining tradition and who Chun believed censored the artistic imagination.
"I wanted to express
Chuns Abstract Expressionist works from the 70s and 80s reveal the influence
In this early period, images of simple people created from his memories and dreams populate and inform his work, with particular focus on their eyes as the gateway to their souls. Everything is reflected in the eyes, a conduit of non-verbal communication that expresses the unvarnished truth as well as every nuance of thought and feeling.
Heinz understood this concept implicitly and set forth to create work that could communicate deep states of being through a gaze, one that provokes both extroversion and introspection, simultaneously penetrating and compassionate.
As a philosopher, a pedagogue, an instructor and a journalist, Heinz drew on his rich and diverse knowledge to inform his art, distilled from a sense of inner serenity and tenderness, and executed in painstakingly rendered layers. Despite the piercing gaze of his idealized subjects, the effect that these portraits have on the viewer is of sublime harmony.
Known for using the ancient method of "grisaille", by painting solely in monochrome shades of neutral colour using tempera paint, his wraithlike subjects appear both familiar yet perplexingly celestial, timeless yet present.
"Pigments made from mineral clays known as green earths bound in egg tempera were used by Italian artists from the 13th to 15th centuries as a base colour for flesh."
The laborious nature of this medium allows the subject to declare itself over time, the artist gentling coaxing form into being with each successive layer, finding the line, tone and mark that will render life.
First, the painting ground is prepared with several layers of white so that the subsequent layers of colour seem to radiate from the depths, creating a pervasive glow that ripples through the picture plane. This technique is particularly effective for rendering the skin tone and eyes when, oftentimes, more than twenty layers of paint are laid down, like an epidermis, over the fibreboard panel.
Rabbow further believes that hair detracts from the smoothly modelled facial features and their communicative range, thus caps and hats are used to keep the viewer’s eye focused on the subject, with every subtle expression captured in its contours.
These paintings show neither depth nor distance, as Rabbow does not shadow his forms giving an immediacy to his subjects, and as such, the background and perspective are mere gestures towards realism.
"Ethereal, pure and serene, almost beyond human grasp, [Rabbow's portraits] showed us a peaceful soft world."
- Niña Van den Bosch, Art Center HOres
After completing two sold-out shows in Munich, Germany and at Art Basel (the world’s leading international art fair in Basel, Switzerland), Rabbow had his first Canadian exhibition at Galerie Dominion in October of 2005.
Following his inaugural sold-out show in 2005, Landau Contemporary continued to present Rabbow’s paintings to international audiences at some of the leading international art fairs, as well as at our Montreal galleries.
In 2008, the artist began a seminal series of twenty-six portraits entitled Ladies with Hats, which became the focus of a follow-up exhibition held at the Dominion Gallery in 2010. With over 300 in attendance for the opening night Vernissage, Rabbow had his second successful unveiling in Montreal.
"His use of tempera particularly captures skin tones and eyes in an exquisite manner and his laborious efforts produce a quality that is rare in today’s artistic world."
- Robert Landau
Amidst the cheerful colours of the headbands and the rakish angles of the brims, appear the inner beings of simple people. The viewer attracted, as always, through the eyes and into the souls of the artist's subjects who, in turn, peer inquisitively into ours.
The tones and contrasts of the head coverings conjure up a plethora of moods and mysteries that arouse our curiosities.
Since Ladies with Hats, Heinz has been featured in a number of one-man gallery shows and group exhibitions at international art fairs in Italy, Greece, Belgium, Switzerland, France, Germany, the Netherlands, Luxembourg and the USA, to name a few.
His work can be found in countless important private and public collections around the globe, and can now be viewed online and in-person at our Montreal galleries for a limited time. We invite you to discover this extraordinary talent only at Landau Contemporary at Galerie Dominion.
"The fragmentary passages of text on the wrappers are like voices in a crowd, hoping to be heard but mostly cancelling one another out. The voices that emerge will be pieced together to create knowledge."
- Joan M. Cummins, Senior Curator of Asian Art, Brooklyn Museum
Rabbow at the Art Center Horus
Heinz Rabbow (born in Berlin in 1940) is a painter to watch, as his star is rising swiftly on the international art scene. Rabbow had his first Canadian exhibition at Galerie Dominion in October of 2005, after having completed sold-out shows in Munich, Germany and at the world’s leading international art fair in Basel, Switzerland.
He recreates the ancient method of “grisaille” by painting solely in monochrome shades of neutral colour using tempera paint. Rabbow builds his works in up to 30 layers of glazing using an old master technique. He concentrates almost exclusively on the human face, which he usually places full-frame and head-on. All at once, his wraithlike subjects seem ordinary yet perplexingly celestial. His paintings show neither depth nor distance, as Rabbow does not shadow his forms, as such, the background and perspective are mere gestures towards realism.
After studies in journalism, history and education, he abandoned his profession as a teacher to pursue a career in painting. Since 1985, Heinz Rabbow’s works have been shown in numerous exhibitions worldwide including the New York Art Expo, the Chicago Art Expo, Art Miami and Art Cologne.
Landau Contemporary 2005 Catalogue
2017 Art Center HOres, Knokke
2017 Dobele Kunst, Mannheim
2016 Art Center HOres, Sint-Maarten-Latem/Knokke
2015 Art Center HOres, Sint-Maarten-Latem
2015 Dobele Kunst, Art Karlsruhe
2015 Dobele Kunst, Kunstmess, Frankfurt
2014 Messeauftritte, Belgium/Amsterdam
2014 Art Center HOres, Sint-Maarten-Latem/Knokke
2014 Galleria Sacchetti, Ascona
2013 Art Center HOres, Sint-Maarten-Latem/Knokke
2013 Antiques and Art Fair, Luxembourg
2013 Antiek & Art Fair, Hasselt
2013 Lille Art Fair, Lille
2013 Sfeer, Gent
2013 Miart, Milan /Mailand
2013 Eccentric, Knokke
2013 Art Nocturne, Knokke
2012 Art Center HOres, Sint-Maarten-Latem/Knokke
2012 Galerie Sacchetti, Ascona
2011 Galerie Gottschick, Tubingen
2011 Landau Fine Art, TEFAF Maastricht
2010 Landau Fine Art, Montreal
2010 Landau Fine Art, Art Basel Miami Beach
2010 Gallery Rarity, Mykonos
2010 Landau Fine Art, Art Basel
2010 Museum Gunzenhauser, Sommerausstellung
2010 Landau Fine Art Tefaf Maastricht
2009 Art Basel, Landau Fine Art
2009 TEFAF Maastricht, Holland, Landau Fine Art
2009 Galerie Gunzenhauser, Munchen
2009 Galerie Gottschick, Art Karlsruhe
2008 Art Basel Miami Beach, Landau Fine Art
2007 Art Basel Miami Beach, Landau Fine Art
2007 Landau Contemporary at Galerie Dominion, Montreal
2007 Art Basel Switzerland, Landau Fine Art
2007 Art Chicago, Landau Fine Art
2007 TEFAF Maastricht, Holland, Landau Fine Art
2006 Art Basel Miami Beach, Landau Fine Art
2006 Landau Contemporary at Galerie Dominion, Montreal
2006 FIAC, Paris, Landau Fine Art
2006 Biennale des Antiquaires, Paris, Landau Fine Art
2006 Art Basel Switzerland, Landau Fine Art
2006 TEFAF Maastricht, Holland, Landau Fine Art
2005 Art Basel Miami Beach, Landau Fine Art
2005 Landau Contemporary at Dominion Gallery, Montreal, Canada
Landau Contemporary 2010 Catalogue
We thank you for visiting our online exhibition. Please contact the gallery to find out more about this exceptional artist.